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“A beautiful garden is a place where one listens to the quiet voice of the stones.”

— Tanizaki Jun’ichirō, 1886-1965

Object of the Month

Buddhist wood panels

Four Buddhist wood panels from a tengai (temple canopy) painted in ink, colour and gold with Tennyo (heavenly maidens) amongst clouds, each playing a musical instrument or holding flowers.

Japan, 16th/17th century, Momoyama/Edo period.

Tennyo, also called hiten, are the heavenly maidens / celestial beings often depicted in Buddhist art. They are believed to reside in and fly over the pure lands and praise Buddha by playing musical instruments, scattering flowers and burning incense. They are usually depicted as elegant, beautiful figures on temple ceilings and walls near the Buddha image.

Tengai is a coffered ceiling or a canopy hung from the temple ceiling above a Buddhist statue or sometimes an abbot’s seat. It is said to be originally derived from parasols used by Indian nobles – they were highly decorated and treated as a symbol of authority, which was then adopted in Buddhist architecture. Tengai, mostly made of wood or metal in Japan, are generally highly ornamented and their shapes vary; they can be square, rectangular, hexagonal, octagonal and circular shapes. The present panels once composed a square canopy.

Comparable depiction of tennyo can be found on the canopy of Toji temple, Kyoto, (9th century, Heian period, National Treasure). See Tokyo National Museum ed., National Treasures of To-ji Temple: Kukai and the Sculpture Mandala, (exhibition catalogue, 2019), p. 118, no. 57.).

One of the best known examples of a canopy with heavenly beings (bosatsu on clouds) are housed at the Byodo-in Temple in Kyoto, (11th century, Heian period, National Treasure), which can be found on their website (https://www.byodoin.or.jp/en/learn/sculpture/).

Artists

Morita Shiryu

Suda Kokuta

Imai Eiko

Sugai Kumi

Nishimura Yohei

Events

Donation to the British Museum, London

03.02.2026 to 04.05.2026

Gregg Baker Asian Art is very proud to have donated a major work by Hayashi Yasuo, now on display in the exhibition "Samouraï" exploring the enduring legacy of the samurai. During the Second World War, the Allies linked the myth of the samurai’s willingness to die for his lord to the kamikaze suicide pilots, named after the “divine wind” that dispersed the Mongol invasions in the 13th century. The few pilots who survived were deeply affected for the rest of their lives. Some expressed their experiences through art—sobering meditations on the fragility of life and the randomness of survival. After returning to Kyoto, Hayashi Yasuo began creating ceramic works inspired by his memories of flying at night without lights. Hayashi Yasuo (born 1928) Like a Wave, ceramic sculpture, 1985, Japan British Museum Donated by Gregg Baker Asian Art, London / Brussels

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